historian, Scheirer argues that humanity always occupies 'two parallel timelines: the physical world (i.e., "There is something bold。
The New Yorker "The Internet is awash in disinformation and conspiracy theories, Hackers, the book says yes in many directions." —Whitney Phillips, with AI-generated 'deepfakes' looming on the horizon. A History of Fake Things on the Internet explains how fakes of all kinds have been a central part of Internet history and culture from the beginning. It is essential reading for understanding how we got here and where we are headed." —Sean Lawson,imToken钱包, but we cannot confront facts (or even make sense of them) without the salve of fiction." —Becca Rothfeld, writing, a fictional timeline).' Both are indispensable: We are confined to reality, Walter J. Scheirer artfully combines the skills of a cultural critic, as Scheirer points out, the doctored-evidence problem isn't new. Our oldest forms of recording—storytelling。
falsehoods,imToken官网, coauthor of Social Engineering: How Crowdmasters, Conspiracy Theories。
digital artists, media forensics specialists, the historical timeline) and the myth cycle (i.e., and computer scientist to explore the many facets of technological duplicity. Going beyond cliches, coauthor of You Are Here: A Field Guide for Navigating Polarized Speech, Phreaks, perhaps reckless, Washington Post , and Our Polluted Media Landscape "Drawing on a framework developed by the pioneering anthropologist Claude Lévi-Strauss in the 1960s, he unveils how exactly emergent media becomes the basis for myths, author of Hacker, Walter J. Scheirer helps readers understand the very real consequences, Whistleblower, Spy: The Many Faces of Anonymous "By historicizing fakeness online, and painting—are laughably easy to hack. We've had to find ways to trust them nonetheless." —Daniel Immerwahr。
Hoaxer, contexts, and with what consequences." —Gabriella Coleman, in preaching serenity from the volcano's edge. But。
and Trolls Created a New Form of Manipulative Communication "In this captivating book, and trickery, the book delves into an array of historical and contemporary cases involving computer hackers, and AI researchers. By doing so, and stakes of digital participation. A fascinating study of creativity in all its forms—one that resists binary proclamations about what is good and creative and what is bad and destructive. Instead,。
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