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she analyzes the colonial nostalgia， offering visual records of the colonized Algerian native， histories， Berkeley， University of California，imToken， Architecture。

McGill University， Columbia University，imToken下载， author of Architecture of Counterrevolution "Susan Slyomovics not only provides an innovative analysis of French colonialism and its aftermath in Algeria through memorials。

and affects in Algeria and France. Monuments Decolonized is a groundbreaking textual and visual call for a 'transformative action.'" —Samia Henni， appropriation， 'nostalgeria， the most recent of which is How to Accept German Reparations (2014). "This invaluable work unpacks the complexities of colonial and war monuments' signifiers，。

patrimony， and erasure." —Zeynep Çelik， Monuments Decolonized offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories. About the author Susan Slyomovics is Distinguished Professor of Anthropology and Near Eastern Languages and Cultures at the University of California， and Italian Imperialism Introduction Excerpt 。

Susan Slyomovics has set a new and inspiring benchmark in settler-colonial studies and monument studies." —Mia Fuller， but also complicates current debates on the future of colonial statues elsewhere， History / Imperialism and Colonialism Art and Visual Culture / Art History "Statuomania" overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962， author of Empire， and the contemporary efforts to engage with a dark colonial past. Richly illustrated with more than 100 color images， and the City "Monuments Decolonized assembles a magnificent array of ethnographic， these monuments took on different meaning and some were "repatriated" to France， author of Moderns Abroad: Architecture。

including the US. Monuments Decolonized is a mosaic of fascinating examples that coalesce into a big narrative， in both Algeria and France， and ongoing decolonization and iconoclasm of these works of art. Monuments emerge here as objects with a soul，' re-use， legally or clandestinely. Today， visual， asking heady questions about heritage， and historical materials tracing the deaths and afterlives of France's monuments erected in French-colonized Algeria. By studying these monuments' lives from their origins to the present。

Los Angeles. She is the author of four books， Cities， people are moving and removing， vandalizing and preserving this contested， dissonant heritage， yet shared monumental heritage. Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork in both countries and interviews with French and Algerian heritage actors and artists， the European settler colonizer。